Oplight Wall Sconce MFR ID: FU468130
Oplight Wall Sconce 0 Wall Lighting Flos Lighting

Oplight Wall Sconce

By Jasper Morrison, for Flos Lighting

Oplight Wall Sconce

By Jasper Morrison, For Flos Lighting

$380.00

Finish:
Satin Black

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$380.00

MFR ID: FU468130 | ITEM #: FLO1132121

Oplight Wall Sconce

MFR ID: FU468130

Item #: FLO1132121

Designed by Jasper MorrisonRead Bio

The Oplight Wall Sconce proves that technologically advanced products can be made with respect for the environment. This future-proof fixture is assembled without glue and can easily be taken apart for parts replacement or for recycling once the light will no longer be used. Its frame is made of die-cast aluminum and light is emitted through a polycarbonate diffuser. An exercise in simplicity, the Oplight has a versatile design that complements many interior styles while delivering plenty of ambient light.

Available in two sizes: 8.7 inches wide (known as W1) and 11.5 inches wide (W2). W1 option includes a backplate to cover a US junction box (shown in images). W2 backplate is large enough to cover a US junction box.

Available Options

Finish: Satin Black, Textured White

Specifications

    • Finish: Satin Black
    • Size: 8.74"W x 4.92"H x 7.87"D
    • Product Weight: 1.98 lbs
    • Dimmer: Low Voltage Electronic
    • Materials: Polycarbonate  Aluminum  
    • Lamp Source: LED
    • Bulb:
      1 x LED/16W/120V LED
      Integrated LED module
    • Total Wattage: 16 watts
    • Lamp Color: 2700K
    • Color Rendering: 90 CRI
    • Delivered Lumens: 1290 lumens
    • Lumens/Watt: 80.63
    • UL

      UL

    • Specification Sheet / Technical Files

      Prop 65 Warning for California Residents This product can expose you to chemicals, which are known in the State of California to cause cancer, birth defects or other reproductive harm. For more information go to https://www.p65warnings.ca.gov/.
      Jasper Morrison

      About Jasper Morrison

      Jasper Morrison was born in London in 1959, and graduated in Design at Kingston Polytechnic Design School, London (1979-82 BA (Des.)) and The Royal College of Art for Postgraduate studies (1982-85 MA (Des.) RCA). In 1984 he studied at Berlins HdK on a Scholarship.

      In 1986 he set up an Office for Design in London. His work was included in the Documenta 8 exhibition in Kassel in 1987, for which he designed the Reuters News Centre. The following year he was invited to take part in Design Werkstadt, a part of the Berlin, Cultural City of Europe program, where he exhibited Some new items for the house, part I at the DAAD Gallery. He then began designing products for SCP in London, the German door handle producer FSB, the Office furniture company Vitra, and the Italian furniture producer Cappellini.

      In 1992 together withJames Irvine, he organised Progetto Oggetto for Cappellini, a collection of household objects designed together with a group of young European designers. He also worked with Andreas Brandolini and Axel Kufus on a variety of installations, exhibition designs and town planning projects under the umbrella of Utilism International. In 1992, his slide show lecture "A world without words" was published in book format by the graphic designer Tony Arefin. In 1994 Jasper Morrison was guest of honour and held an exhibition at the Interieur 94 exhibition in Belgium.

      In 1995 he held a solo exhibition at Bordeauxs Arc en Rve Centre darchitecture. He began a consultancy with stra the Hannover Transportation Authority by designing a Bus Stop for the City. In 1995 Jasper Morrisons office was awarded the contract to design the new Hannover Tram, the largest European light rail production contract of its time, at 500 Million Deutschemarks. The first vehicle was presented to the public in June 1997 at the Hannover Industrial Fair, and awarded the IF Transportation Design Prize and the Ecology award.

      More recent exhibitions and installations have included: "The State of Things" to complement the editing of the 1999 Design Year Book. Solo exhibitions at the Axis Gallery, Tokyo, for Flosat the Yamagiwa Centre in Tokyo, as Designer of the Year 2000 at the Paris Design Fair. Recent projects include the design of furniture for Tate Modern inLondon, "Luxmaster" for Flos, Folding Air-Chair and Low Air-Table for Magis; a monograph "Everything but the Walls"published by Lars Mller Publishers; a bench for the Roppongi Hills development in Tokyo; ATM desk system for Vitra ,a line ofkitchen appliances for Rowenta, Pots&Pans for Alessi and asanitary- and brassware range for Ideal Standard.In 2005, founding of Super Normal with Naoto Fukasawa.In June 2006, first Super Normal exhibition in Tokyo.

      Jasper Morrison Ltd. currently based in London and Paris, have worked and in most cases still do for the following companies: Alessi Spa, Italy; Alias Srl, Italy; Canon Camera Division, Japan;Cappellini Spa., Italy; Flos Spa, Italy; FSB GmbH, Germany; MagisSrl, Italy; Rosenthal AG, Germany; Rowenta, France; Sony Design Centre Europe; Vitra International AG, Switzerland. In 2004, began consultancies with Samsung Electronics, Korea, Muji(Japan), Ideal Standard (UK) and Olivetti (Italy).

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      FLOS was founded in 1962. The very same year Flos lighting began producing a number of lamps that were to become classics in Italian industrial design. From the very outset, Flos has been distinguished by its high quality approach to lamp design and production. Many of the numerous lamps designed for Flos are undoubtedly some of the best-known and most successful products of industrial design. They have won awards and historical-critical accolades, and are included in all the most important collections and design museums around the world.Some significant product examples over the last forty years are: Parentesi (1970), Brera (1992), Fucsia (1996), Rosy Angelis (1994), the Romeo Moon (1996), Archimoon (1998) series and the recent Diabolo (1998). Throughout the nineties the work of Achille Castiglioni and Philippe Starck has been flanked by a series of products from new and other designers. This reflects a desire to keep the attitude to discover the most talented designers to maintain Flos leadership in innovation.

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