Happy Kiss FreeJack Pendant 106 Chandeliers & Pendants Siemon & Salazar

Happy Kiss FreeJack Pendant

By Caleb Siemon & Carmen Salazar, for Siemon & Salazar

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Happy Kiss FreeJack Pendant - Satin Nickel / Steel Grey
Happy Kiss FreeJack Pendant - Dark Bronze / Steel Grey
Happy Kiss FreeJack Pendant - Satin Nickel / Opaline
Happy Kiss FreeJack Pendant - Dark Bronze / Opaline
Happy Kiss FreeJack Pendant - Satin Nickel / Aubergine
Happy Kiss FreeJack Pendant - Dark Bronze / Aubergine
Happy Kiss FreeJack Pendant - Satin Nickel / Amber
Happy Kiss FreeJack Pendant - Dark Bronze / Amber
Happy Kiss FreeJack Pendant - Satin Nickel / Steel Blue
Happy Kiss FreeJack Pendant - Dark Bronze / Steel Blue
Happy Kiss FreeJack Pendant - Satin Nickel / Clear
Happy Kiss FreeJack Pendant - Dark Bronze / Clear

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Happy Kiss FreeJack Pendant

By Caleb Siemon & Carmen Salazar, For Siemon & Salazar

$920.00

Finish
Satin Nickel

Shade Color
Steel Grey

SPEC #: SSA58346 | ID: S06-1856-088-SN-HAN

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$920.00

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  • Product Details
      • Finish: Satin Nickel
      • Shade Color: Steel Grey
      • Size: 4"W x 4"H
      • Adjustable Cable Length: 72"
      • Dimmer: Dimmable
      • Materials: Metal, Crystal
      • Lamp Source: Halogen
      • Bulb:
        1 x JC/GY6.35 (bipin)/20W/12V Halogen
        Bulb included
      • Total Wattage: 20 watts
        • Country of Origin: United States
        • ETLETL
        • Made in the USAMade in the USA
      • See full description
    • Specification Sheet / Technical Files
    • Shipping & Returns
      • Free ground shipping
      • Lightology offers free ground shipping on most retail web lighting orders over $100, shipped within the continental U.S.
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      • Return Options
      • Product is cancelable/returnable within 60 days with 50% restocking fee. Once shipped, return shipping fee applies. Product must be new and uninstalled with all original packaging.
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    Happy Kiss FreeJack Pendant

    SPEC #: SSA58346

    ID: S06-1856-088-SN-HAN

    Designed by Caleb Siemon & Carmen SalazarRead Bio

    The Happy lights take advantage of the thickness and brilliance of our crystal to create a light with unending refractions. Each one is hand manipulated to create a creased and singularly individual form. The works are blown in solid clear crystal or use the Italian technique of sommerso or encased color. Hand blown and shaped in lead free crystal. No molds are used, and each glass shape is unique. Made in California and signed by Caleb and Carmen. Each piece is handmade; dimensions and color may vary slightly.

    Note: Canopy is required, and sold separately below. FJ connector and 6 feet of cable are included.

    Available Options

    Finish: Dark Bronze, Satin Nickel

    Color: Amber, Aubergine, Clear, Opaline, Steel Blue, Steel Grey

    Prop 65 Warning for California Residents This product can expose you to chemicals, which are known in the State of California to cause cancer, birth defects or other reproductive harm. For more information go to https://www.p65warnings.ca.gov/.

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    Reviews

    1 Review

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    5 star rating

    By Ken Baran from Chicago IL

    Mar 08, 2013

    • Do You Recommend This Product? Yes
    • Quality: Exceptional
    • Design: Outstanding
    • Installation: Easy
    • Light Output: Just Right
    • Value: Good Value

    Great looking product, even better in person. Real chunky glass gives it real depth. Love it!

    11 out of 12 people found this review helpful


    Brand Logo

    After studying the Italian art of Murano glass with renowned master glass sculptor Pino Signoretto, Caleb Siemon returned to California to open his own Italian-influenced studio. There he began constructing glass pendants, wall sconces and table lamps with the help of his wife and partner, Carmen Salazar. Caleb and Carmen have developed a unique aesthetic that merges the old-world glassmaking techniques with the sensibility and balance of Scandanavian design. Caleb and Carmen’s pendants, wall sconces and other fixtures add colorful layers and texture that suit restaurants, hotels and residential homes. Made in the USA.

    Explore Siemon & Salazar
    Caleb Siemon & Carmen Salazar

    About Caleb Siemon & Carmen Salazar

    Shop This Designer

    Caleb Siemon

    Most glassblowers aren't born artists, says Caleb Siemon. They're born pyromaniacs. Son of a jeweler, he grew up making things with his hands, got hooked on glass in high school, and honed his craft at the Rhode Island School of Design. He then set out for Murano, Italy, with a backpack, a few words of Italian, and the hope of an apprenticeship with renowned master glass sculptor Pino Signoretto. The maestro ignored him for a month, while Caleb attentively sketched his work and tried not to get in the way. Eventually an apprenticeship evolved.

    Caleb spent two years in the Muranese studio with the glassmaker versatile enough to produce both enormous sculptures and delicate goblets. Here, he was encouraged to steal with his eyes. Caleb's style shows the influence of his early tutor, coupled with an unabashed passion for the medium. The transparency and fluidity of the material makes it unique, he says. I always start with an idea, but have learned to remain flexible to allow for the natural qualities of the glass.

    Caleb returned to Southern California in 1999 and constructed his own Italian-style studio. From furnace heights and bench design, to a system where each piece is created closely with a team of assistants, his methods reflect his Muranese immersion. Loris Zanon, Pino Signoretto's master coldworker, traveled from Murano to guide the construction of Caleb's coldshop and pass on the techniques of glass carving and polishing.

    From the Scandinavian glass tradition, Caleb has developed an affection for simple forms, taking advantage of gravity and centrifugal force in design. By pairing these approaches to glassmaking, he has developed a signature aesthetic that reflects the evolved detail of the Muranese and balance and restraint of the Scandinavians. Caleb continues to invite international glass workers to his studio to share their techniques with the next generation of glass artists. His work exhibits internationally and is featured in galleries around the world.

    Carmen Salazar

    While her husband has binged on glass with a singular focus, his wife and partner, Carmen Salazar, has sipped from many ponds. Sculptor, metalworker, architect, botanist, scavenger, and conservationist, Carmen is a curious hybrid of urban and rural. She brings the influence of many streams to her work in the glass shop. She is a recipe that calls for equal parts concrete and pasture, glass and steel and rough-hewn beams. Carmen grew up shuttling between Washington DC and the family farm in Augusta, West Virginia. In college, she began to cultivate a love for metal, glass, and the vegetal world. Carmen left the Rhode Island School of Design with a BFA in sculpture and art history, but also a peripatetic interest in reshaping the larger natural world.

    In 1997, she drove to San Francisco where she spent two years working for a land artist, metal sculptors, horticulturalists, and glass blowers. In 1999, she moved to Orange County to help Caleb build his first shop. I thought I was just going down for a month or so she says, but here we are, a decade later. The intersection of her diverse interests led her to the Southern California Institute of Architecture in 2001.

    After receiving her masters in architecture at SCI-Arc in Los Angeles, Carmen worked in the high end residential realm and then on the design team for a large scale public park. With her skills in architecture, interior and landscape design, the pair have embarked on an aesthetic leap forward.

    They are now executing large scale custom projects and installations while maintaining the studio's carefully cultivated quality and visual signature. I have a somewhat less controlled aesthetic than Caleb. Maybe it comes from working with so many plants. says Carmen, I love to scavenge pieces from the studio, tests and such, and re-purpose them. Caleb always looks like he has a tinge of fear when I start experimenting in the studio, like, gosh, I hope she doesn't blow us up today.'