Oplight Wall Sconce
By Jasper Morrison, for FLOS
Oplight Wall Sconce
By Jasper Morrison, For FLOS
$550.00
Finish:
Satin Black
- Manufacturer Stock: 5
Usually leaves warehouse in 3-5 business days
Based upon stock availability.
$550.00
+ FREE SHIPPING
SPEC #: FLO1132121 | ID: FU468130
Oplight Wall Sconce
SPEC #: FLO1132121
ID: FU468130
Designed by Jasper MorrisonRead Bio
Discover a new paradigm in lighting with the Flos Oplight Wall Sconce, a fixture that brilliantly proves technologically advanced products can be made with profound respect for the environment. This future-proof sconce is innovatively assembled without glue, allowing it to be easily taken apart for individual parts replacement or for complete recycling once its long lifespan eventually concludes. Its robust frame is crafted from durable die-cast aluminum, while light is gracefully emitted through a high-quality polycarbonate diffuser, ensuring ample ambient illumination.
The Oplight is a true exercise in simplicity, boasting a versatile design that effortlessly complements a wide array of interior styles, from crisp contemporary to warm transitional. It's available in two convenient sizes: an 8.7-inch wide option (known as W1) which includes a backplate designed to cover a standard US junction box, and a larger 11.5-inch wide option (W2) where the backplate is sufficiently sized to cover a US junction box. This thoughtful design, combined with its commitment to sustainability, makes the Oplight an intelligent and stylish choice for any conscientious homeowner or designer.
Available Options
Specifications
- Finish: Satin Black
- Size: 8.74"W x 4.92"H x 7.87"D
- Product Weight: 1.98 lbs
- Dimmer: Low Voltage Electronic
- Materials: Polycarbonate, Aluminum
- Lamp Source: LED
-
Bulb:1 x LED/16W/120V LEDIntegrated LED module
- Total Wattage: 16 watts
- Lamp Color: 2700K
- Color Rendering: 90 CRI
- Delivered Lumens: 1290 lumens
- Lumens/Watt: 80.63

UL
Specification Sheet / Technical Files

About Jasper Morrison
Jasper Morrison was born in London in 1959, and graduated in Design at Kingston Polytechnic Design School, London (1979-82 BA (Des.)) and The Royal College of Art for Postgraduate studies (1982-85 MA (Des.) RCA). In 1984 he studied at Berlins HdK on a Scholarship.
In 1986 he set up an Office for Design in London. His work was included in the Documenta 8 exhibition in Kassel in 1987, for which he designed the Reuters News Centre. The following year he was invited to take part in Design Werkstadt, a part of the Berlin, Cultural City of Europe program, where he exhibited Some new items for the house, part I at the DAAD Gallery. He then began designing products for SCP in London, the German door handle producer FSB, the Office furniture company Vitra, and the Italian furniture producer Cappellini.
In 1992 together withJames Irvine, he organised Progetto Oggetto for Cappellini, a collection of household objects designed together with a group of young European designers. He also worked with Andreas Brandolini and Axel Kufus on a variety of installations, exhibition designs and town planning projects under the umbrella of Utilism International. In 1992, his slide show lecture "A world without words" was published in book format by the graphic designer Tony Arefin. In 1994 Jasper Morrison was guest of honour and held an exhibition at the Interieur 94 exhibition in Belgium.
In 1995 he held a solo exhibition at Bordeauxs Arc en Rve Centre darchitecture. He began a consultancy with stra the Hannover Transportation Authority by designing a Bus Stop for the City. In 1995 Jasper Morrisons office was awarded the contract to design the new Hannover Tram, the largest European light rail production contract of its time, at 500 Million Deutschemarks. The first vehicle was presented to the public in June 1997 at the Hannover Industrial Fair, and awarded the IF Transportation Design Prize and the Ecology award.
More recent exhibitions and installations have included: "The State of Things" to complement the editing of the 1999 Design Year Book. Solo exhibitions at the Axis Gallery, Tokyo, for Flosat the Yamagiwa Centre in Tokyo, as Designer of the Year 2000 at the Paris Design Fair. Recent projects include the design of furniture for Tate Modern inLondon, "Luxmaster" for Flos, Folding Air-Chair and Low Air-Table for Magis; a monograph "Everything but the Walls"published by Lars Mller Publishers; a bench for the Roppongi Hills development in Tokyo; ATM desk system for Vitra ,a line ofkitchen appliances for Rowenta, Pots&Pans for Alessi and asanitary- and brassware range for Ideal Standard.In 2005, founding of Super Normal with Naoto Fukasawa.In June 2006, first Super Normal exhibition in Tokyo.
Jasper Morrison Ltd. currently based in London and Paris, have worked and in most cases still do for the following companies: Alessi Spa, Italy; Alias Srl, Italy; Canon Camera Division, Japan;Cappellini Spa., Italy; Flos Spa, Italy; FSB GmbH, Germany; MagisSrl, Italy; Rosenthal AG, Germany; Rowenta, France; Sony Design Centre Europe; Vitra International AG, Switzerland. In 2004, began consultancies with Samsung Electronics, Korea, Muji(Japan), Ideal Standard (UK) and Olivetti (Italy).
Shop This Designer
FLOS was founded in 1962. The very same year FLOS lighting began producing a number of lamps that were to become classics in Italian industrial design. From the very outset, FLOS has been distinguished by its high quality approach to lamp design and production. Many of the numerous lamps designed for FLOS are undoubtedly some of the best-known and most successful products of industrial design. They have won awards and historical-critical accolades, and are included in all the most important collections and design museums around the world.Some significant product examples over the last forty years are: Parentesi (1970), Brera (1992), Fucsia (1996), Rosy Angelis (1994), the Romeo Moon (1996), Archimoon (1998) series and the recent Diabolo (1998). Throughout the nineties the work of Achille Castiglioni and Philippe Starck has been flanked by a series of products from new and other designers. This reflects a desire to keep the attitude to discover the most talented designers to maintain FLOS leadership in innovation.
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